Strengthening Aswaja Ideology through Qur'anic Calligraphy: A Living Qur'an Study
DOI:
https://doi.org/10.35719/amn.v12i1.132Keywords:
Aswaja Ideology, Qur'anic Calligraphy, Living Qur'an, Islamic Boarding School, Aesthetic ReceptionAbstract
This study examines the role of Qur’anic calligraphy in articulating the Ahlussunnah wal Jamaah (Aswaja) ideology at the Baitun Nur Mosque, located within the Nurul Islam Islamic Boarding School (Pesantren Nuris), Jember, East Java, Indonesia. Drawing on the Living Qur’an perspec-tive, the study explores how Qur’anic inscriptions are encountered and understood within the religious and educational environment of the pesantren. It employs a qualitative approach with a pheno-menological orientation, using observation, in-depth interviews, and documentation to collect data. The analysis is guided by Ahmad Rafiq’s three categories of Qur’anic reception: exegetical, aesthetic, and functional reception. These categories are used to examine informants’ understandings of the displayed verses, their perceptions of the inscriptions’ visual and religious significance, and the functions they associate with calligraphy in pesantren life. The study approaches Qur’anic calligraphy not merely as architectural decoration but as a visual expression of engagement with the Qur’an, whose meanings are shaped by the community’s religious and educational setting. By connecting the material presence of calligraphic inscriptions with informants’ accounts, this study contributes to understanding how Qur’anic reception may intersect with the articulation of Aswaja ideology in an Islamic boarding school.
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